Fresh off the career-defining success of Saiyaara in 2025, music composer Tanishk Bagchi has spoken candidly about what he describes as an “unfair” royalty system in the Hindi music industry. In a recent conversation with Faridoon Sharyar, the composer reflected on the financial struggles musicians continue to face despite delivering chart-topping hits.
Bagchi, who has recreated several popular 90s tracks and built a strong commercial presence, revealed that Indian musicians are usually paid a one-time fee, with no long-term royalty benefits. Comparing the system to the West, he pointed out that sound engineers, lyricists and composers there receive royalties, ensuring steady income and recognition for their contribution.
Citing his own staggering numbers nearly 37 billion views on YouTube alone Bagchi remarked that such figures often surprise people abroad, who assume that such success translates into immense wealth. However, he stressed that visibility does not guarantee financial security in India.
The composer acknowledged that organisations like the Indian Performing Right Society (IPRS) have brought some improvement, but maintained that instrumentalists and other contributors still rarely receive their due share. He also underlined how public relations play a crucial role in sustaining visibility, something many musicians cannot afford.
From producing music for television shows like Thapki…Pyaar Ki to debuting in Bollywood with “Samandar” from Kis Kisko Pyaar Karoon and later composing Loveyatri, Bagchi said survival in the industry requires persistence. “You do one Saiyaara, and then you start again,” he noted, adding that despite the challenges, walking away is not an option.
